![]() ![]() He/She managed to avoid the mobilization during the war - in 1943, married Giulietta Masina- and was at the end of it when already definitely clinched his film work, collaborating with Rossellini, Alberto Lattuada and Pietro Germi.Ĭonscious of the exceptional nature of certain characters who wandered through the Roman streets, at the time that remembering all those characters who came to his hometown with circuses that dazzled her childhood, Fellini broke with defined lines of cinematic neorealism who defended some of his contemporaries and immersed himself, from the first images in the world of the imagination, fantasy, fantasy. These were years in which he/she also met Stefano Vanzini and Aldo Fabrizi and unfolded in a Roman setting that offered very different to their later work materials. He/She made reports at Cinecittà for Cinemagazzino magazine and wrote, along with other colleagues of the magazine Marc'Aurelio, gags for films of the time, especially in productions directed by Mario Mattoli, to immediately establish itself as co-writer of other films of Mario Bonnard, Roberto Rossellini or Goffredo Alesandrini, among others. It was in 1939 when took contact with the film. With 16 years started to highlight as a cartoonist, activity that allowed him, two years later, open road in Florence - in the satirical publication 420 - and in Rome, city in which he/she combined this activity with the journalist, working especially for the humorous publication Marc'Aurelio and writing scripts for radio. Son of a trade representative and a middle-class housewife, his early years spent in the classrooms of the Liceo Giulio Cesare and between the seats of the cinema which was near his home. ![]()
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